Guatemalan feminist activist Sandra Morán is interviewed by Zoe Gudović at the conference "Feminist is the Colour of the New Class Struggle", in October 2018.
A construção de dramaturgias do corpo, nas cenas e nas pedagogias, como objeto das pesquisas do Grupo Teatrodança me fez sobreviver e configurar o erudito e o popular com a cultura assumindo concepções complementares.
Me gustaría compartir algunas ideas después de mi participación en el Festival Mestiza Chile, organizado en torno a la “Memoria y Resistencia”. Un tema importante en estos tumultuoso tiempos, justo después de las elecciones brasileras, y el ascenso de la extrema derecha en otros lugares, inclusive en Australia.
Suzon Fuks shares a few thoughts following her participation in Mestiza Chile Festival 2018, organised around “Memory and Resistance”, an important theme in this tumultuous time, just after the Brazilian elections, and the rise of the extreme-right elsewhere including in Australia.
Hoy es mi último día en Santiago de Chile, llevo un mes aquí. Al ver las colaboraciones que hice, me di cuenta de que el Magdalena, por momentos, hace desaparecer las fronteras.
Today is my last day in Santiago de Chile, I've been here for a month. Seeing the collaborations I did, I realized that the Magdalena, at times, makes the borders disappear.
This year is a big Magdalena year for me - meaning that I was invited to several Magdalena festivals. I am honored by this, and feel lucky to be part of this network of amazing artists.
Thaís Ivana de Medeiros and I had many gentle collaborations in Magdalena Munich: my recording of spoken Shakespeare for her show; some text she wrote composed into a song for her to sing; and a story about a truth/lie from her life has become a song in our latest group song theatre show TRUTH, told in speech, song, light and movement.
"... over time I have discovered the dimension of the energy investment that is demanded of an actress to walk from one point to another with absolute awareness of each and every part of the journey in the present moment ... I’ve failed most of the times, if not all ... "
