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December 27th deadline for exciting Fellowship in Performance
The Laboratory for Global Performance and Politics (out of Georgetown University in Washington DC) invites invites applications for the 2020-2021 cohort of its Fellows Program,
Why theatre? Bond Street Theatre spends much of its time in hotspots around the world, looking to give marginalized people a voice and agency. Theatre uplifts, informs, inspires - it attracts, rather than coerces. Theatre is Creative Diplomacy. At a time when diplomacy is most needed, here are two stories to paint the picture...
Being able to adapt to change is one of the factors that has contributed to the Magdalena Project’s long and diverse history. Over the course of 33 years, the project has evolved according to the needs of the network at particular times and places. Now, another subtle change is happening, at a structural level that most in the network won’t even notice, but one that raises important questions and opportunities for the future of the project.
Magdalena Aotearoa has made it into the pages of the official New Zealand History website, with an article that traces the group's journey from its beginning, through the organisation and realisation of an international festival in 1999 and up to the present day.
Combining Kalaripayattu and Fitzmaurice Voicework Techniques Towards a New Cross-Cultural Methodology for Actor Training, by Elizabeth de Roza and Budi Miller with Stephanie Loh and Chad O’Brien
Bond Street Theatre joins Dining for Women in helping women around the world! Thanks to generous support from Dining for Women, we are embarking on three-year creative arts projects for women in Afghanistan, Malaysia and Myanmar!
