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Dear Companions in Fate,

it took me a while to grasp the cancellation of my upcoming 25 scheduled performances (see below)! I was so looking forward to sharing six colourful and diverse stories with you, to meeting YOU, up and down the country. But now we’re down in our luck.

Performance Research Journal

 

15 March 2020 is the deadline for proposals for
Vol. 25, No. 8: ‘TRAINING UTOPIAS’ (December 2020)
.

Issue editors:
Felipe Cervera, LASALLE College of the Arts, Singapore
Elizabeth de Roza, LASALLE College of the Arts, Singapore
Michael Earley, LASALLE College of the Arts, Singapore

Congratulations to Teatret OM on being awarded the annual cultural prize from Ringkøbing-Skjern Municipality.

Excerpt of the speech from Erik Viborg, chairman of the municipality’s Cultural Committee:

Madeline McNamara has been awarded the Campion Accolade for Outstanding Performance at the Wellington Theatre Awards for her solo show, The Attitudes - Refusing Performance.

Nachrichten von Gilla Cremer und ihre Gastspiele Frühjahr 2020.

12th WPI Conference, Montreal, June 2021

The 12th Women Playwrights International Conference will take place June 20-25 2021 in Montreal and applications for participation are now open to female, gender-fluid, non-binary and gender non-conforming playwrights.

December 27th deadline for exciting Fellowship in Performance

The Laboratory for Global Performance and Politics (out of Georgetown University in Washington DC)  invites invites applications for the 2020-2021 cohort of its Fellows Program,

Una película producida por Jill Greenhalgh y Sara Penrhyn Jones.

Plasmar el proyecto Magdalena en una película parece imposible, considerando su extensión geográfica e histórica, además de su naturaleza evolutiva y multilingual. Magdalena es un documental de treinta minutos creado en colaboración entre la Directora Artística Fundadora, Jill Greenhalgh, y la cineasta Sara Penrhyn Jones.

Bond Street Theatre

Why theatre? Bond Street Theatre spends much of its time in hotspots around the world, looking to give marginalized people a voice and agency. Theatre uplifts, informs, inspires - it attracts, rather than coerces. Theatre is Creative Diplomacy.  At a time when diplomacy is most needed, here are two stories to paint the picture...

El haber sido capaces de adaptarnos al cambio, es uno de los factores que ha contribuido a la larga y diversa historia del Proyecto Magdalena.  A lo largo de 33 años, el proyecto ha evolucionado de acuerdo con las necesidades de la red en momentos y lugares particulares. Ahora, en el nivel estructural un cambio sutil está ocurriendo, puede que la mayoría no lo note, pero es un cambio que plantea preguntas importantes, así como oportunidades para el futuro del proyecto.

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