In a period like the one we are living in, permeated by the absurd experience of Covid, this worldwide political wave that does not protect anything that is essential, such as nature that surrounds us, how can I be present and still believe in a future? I asked myself this about three years ago, both as a person and as an artist, and I also came to the point where I asked myself why I make theatre.
In a period like the one we are living in, permeated by the absurd experience of Covid, this worldwide political wave that does not protect anything that is essential, such as nature that surrounds us, how can I be present and still believe in a future? I asked myself this about three years ago, both as a person and as an artist, and I also came to the point where I asked myself why I make theatre.
Em um período como o que estamos vivendo, permeado pela experiência absurda do Covid, essa onda política mundial que não protege nada do que é essencial, como a natureza que nos cerca, como posso estar presente e ainda acreditar em um futuro ?
In a period like the one we are living in, permeated by the absurd experience of Covid, this worldwide political wave that does not protect anything that is essential, such as nature that surrounds us, how can I be present and still believe in a future? I asked myself this about three years ago, both as a person and as an artist, and I also came to the point where I asked myself why I make theatre.
In a period like the one we are living in, permeated by the absurd experience of Covid, this worldwide political wave that does not protect anything that is essential, such as nature that surrounds us, how can I be present and still believe in a future? I asked myself this about three years ago, both as a person and as an artist, and I also came to the point where I asked myself why I make theatre.
Sandra Pasini thinks back on the year that has passed with a mixture of different emotions: a rediscovered peace and more time with the close family, long phone calls with friends, long walks in deeper contact with nature and at the same time she feels a kind of uneasiness about not knowing what the future will bring.
Teatret OM remembers Mette Jensen as "our guardian angel - a unique person with a big heart and an overwhelming generosity", who has generously supported the group since they first arrived in Denmark in 1992.
