I am a Finnish actor, director and performer currently completing my MA in acting in London. I am also a co-founder of Spindrift Theatre, an all-female, Nordic theatre company based in London.

I am a long standing member of Magdalena, feminist theatre maker and academic

Anna Furse is Professor of Theatre and Performance at Goldsmiths where she directs the MA in Performance Making and Co-Director of the Centre of the Body. Her career in professional theatre includes: 33 years as a director, writer, project leader, programmer, artistic director, curator, consultant and educator. She currently works as co-director of the PeARL Artistic Research Lab with the Department of Design, Higher School of Economics, Moscow.

Fragments & Monuments performance and film
www.fragmentsandmonuments.com

Anna-Helena became principal of Legendary physical theatre company Gardzienice in Poland, 2000. Toured as the Electra (LaMama ETC 05, Barbican BITE 06) & musical Leader in Metamorphoses; led company training worldwide. Freelance actor, musician, composer, ensemble & voice coach, multi-disciplinary director. Former member of Awake Project's AWAKE, Ensemble, Love Orchestra and Youth work (2006-12). Founded Actor - Chorus - Text (ACT) Ensemble Theatre Training, hosting projects for adults and youth from diverse backgrounds under the umbrella name Moon Fool.

Anne's main occupation is dramaturgy and script development. Her clients have gone on to win the Pulitzer Prize for Drama, the MacArthur Fellowship ("the Genius Grant") and a Royal Court International Residency.

She is based in New York City and holds an MFA from Columbia University School of the Arts.

I am a director and actress in Grenland Friteater, Norway.

Annie Abrahams has a doctoraal (M2) in biology from the University of Utrecht and a MA2 from the Academy of Fine Arts of Arnhem. In her work, using video and performance as well as the internet, she questions the possibilities and limits of communication in general and more specifically investigates its modes under networked conditions. She is known worldwide for her netart and collective writing experiments and is an internationally regarded pioneer of networked performance art.

Creadora del Festival Mestiza, festival y encuentro internacional de mujeres en las artes escénicas contemporáneas realizado en Chile. 

I am a theatre actor, director and writer. I have some training from Otago University and Toi Whakaari: NZ National Drama School. I am half Finnish and half Irish, I live in New Zealand. I have been training and working in Theatre since I was 18 years old and it is a childhood obsession that I cannot shake. I speak English, and some Maori, Finnish and German.

Ashtar Muallem is a Palestinian/ French artist born in Jerusalem, 1990. As a graduate of the National Centre of Circus Arts ‘CNAC’, 2011, she performed in the show This is the End with her specialty, the aerial silk. In 2013, Ashtar co-created her first piece B-Orders, a circus and dance duo produced by the Palestinian Circus. As an interpreter, she has participated in several productions of dance, circus, and theatre. Such as Badke with Les Ballets C de la B; Apres Coup, Un Femme # 2 of Severine Chavrier, Movements and Epifonima with Cirkus Cirkör.

theater director

Soy "teatrera" de toda la vida, lo que quiere decir que soy actriz, directora, productora, gestora cultural, programadora, escritora y profesora de teatro. Cuando tenía 15 años hice un curso de teatro gestual con Pawel e Irene Rowa, del institut del Teatre de Barcelona, quería hacer teatro de profesión pero mis padres dijeron que no era una profesión , así que hice Derecho y Teatro, en La Escuela de Actores de Canarias, la RESAD de Madrid, con W. Layton, Y las Escuelas de Jacques Lecoq y PH. Gaulier en Paris y Londres.

Actress, director and writer

caught theatre bug in 1970 when Peter Palitzsch was Director at the contemporary theatre in my home town Stuttgart; Psychodrama Training (Moreno Institute Germany), 1985 - 1992; Action Research applying the method in Adult Education
Studied Performance Skills at Coleg Harlech in North Wales in 2002
devised and performed 'Between Wor(l)ds' - 20 th century women poets in exile
2003 (?) encounter with Margaret Cameron in Aberystwyth

caught theatre bug in 1970 when Peter Palitzsch was Director at the contemporary theatre in my home town Stuttgart; Psychodrama Training (Moreno Institute Germany), 1985 - 1992; Action Research applying the method in Adult Education
Studied Performance Skills at Coleg Harlech in North Wales in 2002
devised and performed 'Between Wor(l)ds' - 20 th century women poets in exile
2003 (?) encounter with Margaret Cameron in Aberystwyth

Historian of women and theatre

Theater artist based in NYC. Co-founder and Executive Director at LaMicro Theater

Beth’s work has been performed at the Kennedy Center, the UN, Lincoln Center, across US, Asia, Europe. She won the Director’s Choice Award (NYMF), the National Art Song competition, a NAMT grant, the Klinsky Award (2econd Stage), the GBH Lyricist Award (the O’Neill), a Jonathan Larson grant, a Dramatists’ Guild fellowship. The Mistress Cycle was produced in New York, London, twice in Chicago and other theatres in the US; Island of the Blue Dolphins (TheatreWorks USA) toured the US. She has received commissions from The Village Theatre, TheatreWorks USA and Women for Women International.