Actress, teacher, feminist and LGBTQ+ activist and artistic diretor of Subita Companhia de Teatro since 2007 in Curitiba, Brazil. Apart from acting she has a degree on psychology, which she graduated in 2002. In theater, Is dedicated to the study of physicality and gesture dramaturgy, having a strong background in the Suzuki for Actors training. Has been guided by Tadashi Suzuki in Toga, Japan and by the international coaches Ellen Lauren, Kameron Steel, Mattia Sebastian and Marcos Martinez.

Jane is an accomplished actor, singer and musician. Since 2011, she has been stretching her wings as a singer and musician with a string of shows by her duo, thewhiskeyarchive, including the successful launch of two EPs at the Old Museum in August 2012. Her stage performance credits in 2013 include Turn off the TV, Set the Table for Dinner (Two Hours’ Traffic) and
The Heartstrings Cabaret (devised and performed by Jane and fellow uke songstress Kahiwa Sebire at the 2013 Adelaide Fringe Festival).

I am a woman of 31 years, Venezuelan actress. Member of Centro de Creación Artística Taller Experimental de Teatro (www.centrotet.com). In February last year I participated in the conference and workshops that Odin Teatret performed with Unearte. I made the workshop and Marié Else Tage; and I attended the demonstrations and presentations. I heard about this project and we were there we made a promise to fulfill a dream.

Actress, director,producer and costume designer. Artistic director of Cultural Space Casa da Mãe Jeane. Working with cinema, theatre, performance and installation art.

I am artistic co-director of the Sydney-based Kinetic Energy Theatre Company. I am also an actor, teacher and a writer. At the moment I am exploring ways of practice in response to our climate emergency. Have started a workshop series called OASIZ. Also preparing the scripts of my company's body-of-work for publication in book form. As a way to pass on knowledge. 

I am a playwright who writes mainly about women and history, a performer, drama therapist, activist and scholar. I am on the steering committee of Theatre Without Borders, I am the co-leader of Artists Distress Services for freeDimensional and a trainer for Acting Together On The World Stage.I have an MFA in theatre from Columbia University and I am a PhD candidate and artistic director of the H.E.A.T. Collective and The New Generation Theatre Ensemble. I work with undocumented youth and domestic violence survivors.

All my life I have explored my creative possebilities within various art forms, theater, dance, stage directing, light and stage design, graphic design and profiling, illustration, animation and so forth. I'm interested in exchange and in participating in projects with the wide experience that I can offer. Feel free to contact me

Jo Thomas is a contemporary performance-maker, producer and collaborator. She is known in arts circles for the passion she displays for her projects and ability to take them from inception to full production.

Somos un grupo de mujeres que ha encontrado en la Danza, y en especial en la Danza Árabe, un camino de vida. En Elixirdanza buscamos que la danza sea un espacio de aprendizaje y crecimiento continuo. Creemos que la danza nos conecta con la vida que late en nuestro interior, con la parte divina de cada una.

Freelance performer, director and educator. Educated at Institutet for Scenkonst led by Ingemar Lindh in Italy and Nordisk Teaterskole in Denmark. Member of 'Bridge of Winds' group, directed and held by Iben Nagel Rasmussen. Currently performing and directing/teaching in Cape Town.

Josefina Baez (La Romana, Dominican Republic/New York) Performer, writer, theatre director, educator, devotee. Founder and director of Ay Ombe Theatre (April 1986). Alchemist of artistic/creative life process, Performance Autology© (creative process based on the autobiography of the doer. Books published: Dominicanish, Comrade, Bliss ain´t playing, Dramaturgia I & II, Como la Una/Como Uma, Levente no. Yolayorkdominicanyork.

I act, direct and write for the theatre and have devoted my professional life to exploring the ongoing life of traditional Japanese and contemporary American theatre.

Estudié licenciatura en Letras en la Universidad de Buenos aires (UBA, 2010). Escribo ficción y crítica literaria, de género y de filosofía contemporánea. Me dedico a la corrección en prensa gráfica para un diario nacional de la Argentina (Tiempo Argentino)y al dictado de clases de español cultural para alumnos extranjeros universitarios en la provincia de Buenos Aires (Universidad de San Andrés).

I am a Brazilian actress, theater pedagogue, director & acting coach. I've been collaborating with women artists since 2012 in many countries. Co-founder of Yenomadas (NY) and Founder of La Pacha Apapacha. My main interest is to work with the practical and subjective theme of migration, the human’s need to have the other to identity itself, gender discussions and the trans-disciplinarity of artistic languages.

I run a small scale touring theatre company called: Vital Xposure. I'm a playwright working with extraordinary stories from people in the periphery of our communities. 'Pig Tales' was based on the story of a female child raised as a boy - under the scrutiny of the Mental Health system and the Catholic church. The piece toured for six years. 'Crossings' was a commission for Liverpool's DaDa festival - an unashamedly feminist piece looking at sexual slavery, identity and migration.

devisor, educator and researcher in the contemporary arts

Native New Yorker June Guralnick is the author of 11 full-length plays performed at venues including Kennedy Center, Henry Street Settlement (NYC), Spirit Square (Charlotte, NC), Southern Appalachian Repertory Theatre (NC), and North Carolina Museum of Art. Plays include MEMORIES OF CHILDHOOD, CONTAINMENTS (THE HOME PROJECT, Part I), IN GOLD WE TRUST (with Guy Nickson), WOMEN OF THE LIGHT (with Cynthia Mitchell), SPACE INTERLUDE, FINDING CLARA, and most recently, ACROSS THE HOLY TELL.